{"id":73621,"date":"2024-12-12T13:52:04","date_gmt":"2024-12-12T18:52:04","guid":{"rendered":"https:\/\/www.thebookbeat.com\/backroom\/?p=73621"},"modified":"2024-12-12T13:52:04","modified_gmt":"2024-12-12T18:52:04","slug":"sub-rosa-reading-group-kairos","status":"publish","type":"post","link":"https:\/\/www.thebookbeat.com\/backroom\/2024\/12\/12\/sub-rosa-reading-group-kairos\/","title":{"rendered":"Sub-Rosa Reading Group: Kairos"},"content":{"rendered":"<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2024\/12\/9780811238533_a421e.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-73628\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2024\/12\/9780811238533_a421e.jpg\" alt=\"\" width=\"150\" height=\"223\"><\/a>Sub-Rosa is a reading group that meets once a month to discuss feminist and obscure literature.<\/p>\n<p>Our selection for this month is <em><a href=\"https:\/\/bookshop.org\/a\/1028\/9780811238533\" target=\"_blank\" rel=\"noopener\">Kairos<\/a><\/em> by Jenny Erpenbeck.<\/p>\n<p>We will meet Saturday, January 25 at 6:30 p.m. at the store. A reminder will be sent out the day before the meeting.<\/p>\n<p>If you are interested in attending please send us your email to bookbeatorders@gmail.com.<\/p>\n<p>Books are in stock and discounted 15%.<\/p>\n<hr>\n<p><strong>WINNER OF THE 2024 INTERNATIONAL BOOKER PRIZE<\/strong><\/p>\n<p><strong>LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE<\/strong><\/p>\n<p><strong>LONGLISTED FOR THE 2024 NATIONAL TRANSLATION AWARD IN PROSE<\/strong><\/p>\n<p>An epic storyteller with the most powerful voice in contemporary German literature, Jenny Erpenbeck has created an unforgettably compelling masterpiece with <em>Kairos<\/em>. The story of a romance begun in East Berlin at the end of the 1980s: the passionate yet difficult long-running affair of Katharina and Hans hits the rocks as a whole world\u2014the socialist GDR\u2014melts away. As the <em>Times Literary Supplement<\/em> writes: &#8220;The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck&#8217;s work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of his period between states and ideologies.&#8221;<\/p>\n<p>In the opinion of her superbly gifted translator Michael Hofmann, <em>Kairos<\/em> is the great post-Unification novel.<\/p>\n<hr>\n<p>&#8220;The most prominent and serious German novelist of her generation.&#8221;\u2014James Wood, <em>The New Yorker<\/em><\/p>\n<p>&#8220;Erpenbeck is among the most sophisticated and powerful novelists we have. Clinging to the undercarriage of her sentences, like fugitives, are intimations of Germany&#8217;s politics, history and cultural memory. It&#8217;s no surprise that she is already bruited as a future Nobelist&#8230;I don&#8217;t generally read the books I review twice, but this one I did.&#8221;\u2014Dwight Garner, <em>The New York Times<\/em><\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2024\/12\/21875e4709f5b7fd082f5bad1396cc4df899186b-1728x2592-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-73626\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2024\/12\/21875e4709f5b7fd082f5bad1396cc4df899186b-1728x2592-copy.jpg\" alt=\"\" width=\"200\" height=\"200\"><\/a>Jenny Erpenbeck was born in East Berlin in 1967, and is an opera director, playwright and award-winning novelist. She first trained as a bookbinder, then worked as a theatre props manager before studying musical theatre direction and enjoying a successful career as an opera director from the late 1990s. She published her debut novella, <em>Geschichte vom alten Kind<\/em>, in 1999. Susan Bernofsky\u2019s English translation, <em>The Old Child<\/em>, was published in 2005. Erpenbeck\u2019s other translated works include <em>The Book of Words<\/em> (2008), <em>Visitation<\/em> (2010) and <em>The End of Days<\/em> (2014, winner of the Independent Foreign Fiction Prize), and <em>Go, Went, Gone<\/em> (2017, which was longlisted for the International Booker Prize in 2018). as well as <em>Not a Novel: Collected Writings and Reflections<\/em> (2020). Her work has been translated into over 30 languages, and it has been said that she is better known overseas than in her native Germany. In 2019 her novel <em>Visitation<\/em> was named one of the 100 best books of the 21st century by the <em>Guardian<\/em>. In the United States, her novel <em>Kairos<\/em>, translated by Michael Hofmann, was longlisted for 2023\u2019s National Book Award for Translated Literature. In May 2024, <em>Kairos<\/em> won the International Booker Prize.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sub-Rosa is a reading group that meets once a month to discuss feminist and obscure literature. Our selection for this month is Kairos by Jenny Erpenbeck. We will meet Saturday, January 25 at 6:30 p.m. at the store. A reminder will be sent out the day before the meeting. If you are interested in attending [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":73627,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[60,25],"tags":[],"class_list":["post-73621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-reading-group"],"_links":{"self":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/73621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/comments?post=73621"}],"version-history":[{"count":0,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/73621\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media\/73627"}],"wp:attachment":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media?parent=73621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/categories?post=73621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/tags?post=73621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}