{"id":71753,"date":"2022-09-16T10:29:35","date_gmt":"2022-09-16T14:29:35","guid":{"rendered":"https:\/\/www.thebookbeat.com\/backroom\/?p=71753"},"modified":"2022-09-16T21:47:52","modified_gmt":"2022-09-17T01:47:52","slug":"i-arrogantly-recommend-by-tom-bowden-32","status":"publish","type":"post","link":"https:\/\/www.thebookbeat.com\/backroom\/2022\/09\/16\/i-arrogantly-recommend-by-tom-bowden-32\/","title":{"rendered":"i arrogantly recommend&#8230; by Tom Bowden"},"content":{"rendered":"<div id=\"attachment_71766\" style=\"width: 645px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-71766\" class=\"wp-image-71766 size-large\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender-1024x588.jpg\" alt=\"\" width=\"635\" height=\"365\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender-1024x588.jpg 1024w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender-150x86.jpg 150w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender-768x441.jpg 768w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender-1536x881.jpg 1536w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender-1320x757.jpg 1320w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/Gedenktafel_Johann-Georg-Str_20_Salomo_Friedlaender.jpg 1600w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/a><p id=\"caption-attachment-71766\" class=\"wp-caption-text\">Memorial plaque in Berlin for Dr. Salamo Friedlander &#8220;Mynona&#8221;<\/p><\/div>\n<p><strong>I arrogantly recommend&#8230;by Tom Bowden <\/strong>is a monthly column of small press and books-in-translation reviews by our friend, bibliophile, and retired pavement inspector Tom Bowden, who tells us, &#8216;This platform allows me to exponentially increase the number of people reached who have no use for such things.&#8217;<\/p>\n<p>Links are provided to our Bookshop.org <a href=\"https:\/\/bookshop.org\/shop\/bookbeat\" target=\"_blank\" rel=\"noopener\">affiliate page<\/a>. Bookshop.org is an alternative to Amazon that benefits indie bookstores nationwide. If titles are unavailable, please call, we&#8217;ll try to help. Most of Bowden&#8217;s reviewed books are stocked at Book Beat. Thank you for your support! Read more arrogantly recommended reviews at:<a href=\"https:\/\/www.thebookbeat.com\/backroom\/?s=Tom+Bowden\" target=\"_blank\" rel=\"noopener\">I arrogantly recommend&#8230; by Tom Bowden<\/a>.<\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/astounding.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71755\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/astounding-94x150.jpg\" alt=\"\" width=\"94\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/astounding-94x150.jpg 94w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/astounding.jpg 312w\" sizes=\"auto, (max-width: 94px) 100vw, 94px\" \/><\/a><strong><a href=\"https:\/\/bookshop.org\/a\/1028\/9781645251064\">Astounding Secrets of the Devil-Worshippers\u2019 Mystic Love Cult<\/a><\/strong><\/p>\n<p>William Seabrook<br \/>\nSnuggly Books<\/p>\n<p>During the 1920s, Detroit\u2019s salad days as an American metropolis, magic came to town in the form of British mystic Aleister Crowley. Crowley headed a church he called the Ordo Templi Orientis (OTO) whose credo was \u201cDo what thou wilt,\u201d a libertarian theology that appealed to prominent Detroit Masons who, according to Crowley\u2019s biographer Richard Kaczynski, wanted to establish an OTO order here. As with other things libertarian, when the bill comes due for doing what thou wilt, personal responsibility turns out to be an onus dumped on the hapless rather than taken up by the \u00fcbermensch. In the case of Crowley, the bill amounted to a highly publicized scandal whose ideas were alleged to have precipitated but were enacted by those who took them seriously.<\/p>\n<p>Not the title of an album by the Acid Mothers Temple, <strong>Astounding Secrets<\/strong> was published serially in the second quarter of 1923 as an explanation to Americans of Crowley, who in this book makes trips to the Motor City, including stopovers to the publisher Albert Ryerson, which lead to three divorces for Ryserson from his increasingly young wives. (Wife #3 was 19 when Ryerson was 51. You can Google it.) William Seabrook, who claims to have known Crowley for decades, assures us that his is an authentic account of what Crowley gets up to.<\/p>\n<p>Not surprising for a writer claiming acquaintance with Crowley, the tone of Seabrook\u2019s prose is set to carney barker bombast, littered with hyperbole, redundancy (was he paid less than a penny a word?), titillation, and scandal, in which one\u2019s response the revelations\u2014such as they are\u2014rarely rise above the \u201cmeh\u201d (re: i.e., recreational drug use), except for suggestions that numerous women (only one is presented as an actual case) ask Crowley to brand and slice their flesh and a case Crowley admits was wrong to do in which he had a cat slaughtered for a ritual. So, mostly a bit of nasty S&amp;M (between consenting adults) among the smoke and mirrors, of which there are plenty, metaphorically speaking.<\/p>\n<p>What to make of Crowley? He seems to have been separated at birth from his brother-in-spirit, P. T. Barnum. Whereas Barnum made his scams family-friendly, Crowley\u2014perhaps more an introvert\u2014saved his best stuff for jaded members of what passed for American aristocracy. As a result, no one\u2014not Crowley himself, let alone devotees from his flock\u2014knew how seriously to take the spells, rituals, and incantations that just suddenly ended, with nothing happening except a rising sense of creepiness. The power of suggestion, confidently suggested, to those asking what he suggests\u2014the pay was good, apparently, and no publicity was bad publicity. Why a mode of living\u2014do what you want\u2014requires oogie-boogie spiritualism to accompany it is beyond me. Many of the rituals are simply re-enactments of Christian rituals but with different nouns, and in that regards it\u2019s merely reactionary rather than the next step in spiritualism.<\/p>\n<p>Seabrook recounts smoking \u201chasheesh\u201d with Crowley and a group of well-heeled acolytes. More specifically identified by Seabrook as cannabis indica, it never induces laughter or forgetfulness among the group but produces hallucinations tinged with paranoia (before LSD was discovered) lasting only about two hours, instead of the six to twelve hours induced by such hallucinogens as mushrooms, peyote, or LSD. So, perhaps these \u201challucinations\u201d were merely suggestions eagerly taken up to stave off social embarrassment. After all, in the hour leading to the unexpected hallucinations, Seabrook reports, \u201cCrowley repeated the supposedly magical words. As if from a great distance one heard the repeated, booming, \u2018Padma oom!\u2019 like some great faraway, muffled, brass band.\u201d<\/p>\n<p style=\"padding-left: 40px;\">As for the rest of us, we began to be, frankly, a little bored. There we lay, in the dimly lighted, quiet room\u2014and nothing whatever happened.<\/p>\n<p style=\"padding-left: 40px;\">\u201cDo you feel anything yet?\u201d the Englishman asked the Russian girl.<\/p>\n<p style=\"padding-left: 40px;\">\u201cNo, monsieur,\u201d she responded in French \u201c\u2014unless a slight tingling in my toes, but I think that\u2019s just because my foot\u2019s gone to sleep.\u201d And so we talked, intermittently, rather stupidly, it seemed to me, for some time.<\/p>\n<p><strong>Astounding Secrets<\/strong> makes for a quick, entertaining read, slowed down for me only by frequent eye-rolling in reaction to the ludicrous and salacious prose describing the antics of an erstwhile PTL Club for the well-heeled.<\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/fantasia.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71756\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/fantasia-100x150.jpg\" alt=\"\" width=\"100\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/fantasia-100x150.jpg 100w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/fantasia.jpg 432w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a><strong> <a href=\"https:\/\/bookshop.org\/a\/1028\/9781945588495\">Fantasia for the Man in Blue<\/a><\/strong><br \/>\nTommye Blount<br \/>\nFour Way Books<\/p>\n<p>Detroit-born and -bred poet Tommye Blount made his debut with <strong>Fantasia for the Man in Blue<\/strong> in 2020, a collection that is both very good and a National Book Award Finalist. <em>That\u2019s<\/em> a debut. In it, Blount explores the fraught psycho-sexual terrain of a Black homosexual who enjoys subordinate positions in rough sex with white policeman, or white men in general. The sex fuses orgasmic volatility to 500 years of racial dynamics and intense, self-abasing rage in the service of a bottom\u2019s gratification.<\/p>\n<p>From \u201cBlood Harmony\u201d:<\/p>\n<p style=\"padding-left: 40px;\">. . . our bodies, together,<br \/>\nare the only capable instrument;<br \/>\na fine instrument of brutality\u2014<br \/>\na double-minded man of muscled<br \/>\nrage, reluctant tenderness. We dance . . .<\/p>\n<p>From part VI of \u201cFable of the Beast\u201d:<\/p>\n<p style=\"padding-left: 40px;\">No, it is not violence<br \/>\nif I ask for touch<br \/>\nas purposeful as<br \/>\nthe softest caress. If not<br \/>\ntenderness, then<br \/>\nlet me wear his<br \/>\nbruises<br \/>\nand not be ashamed to heal.<\/p>\n<p><iframe loading=\"lazy\" title=\"Tommye Blount reads from FANTASIA FOR THE MAN IN BLUE, from Four Way Books\" width=\"635\" height=\"357\" src=\"https:\/\/www.youtube.com\/embed\/lt5RM5KfnJc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/rouge.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71757\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/rouge-97x150.jpg\" alt=\"\" width=\"97\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/rouge-97x150.jpg 97w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/rouge.jpg 323w\" sizes=\"auto, (max-width: 97px) 100vw, 97px\" \/><\/a><strong><a href=\"https:\/\/bookshop.org\/a\/1028\/9781250835871\" target=\"_blank\" rel=\"noopener\">Rouge Street<\/a><\/strong><br \/>\nShuang Xuetao \/ Jeremy Tiang<br \/>\nMetropolitan Books<\/p>\n<p style=\"padding-left: 40px;\">Over the last decade, chaotic reality had so numbed his brain that he no longer felt much of anything, and he wasn\u2019t inclined to make any major changes that might send his life careening down a perilous road to the mere possibility of hope. \u2014From the novella \u201cThe Aeronaut\u201d<\/p>\n<p>Shuang Xuetao\u2019s <strong>Rouge Street<\/strong> collects three novellas that take place in China\u2019s Northeast industrial area, an area that had been in decline for decades but which was revived and its factories updated during the Cultural Revolution (1966-1976), when millions of China\u2019s citizens were \u201creassigned\u201d or \u201csent down\u201d to the area to work in China\u2019s inadequate factories as punishment for \u201cbourgeois\u201d thoughts and actions. The rounded-up undesirables included people with college degrees, training, or skills, as well as petty criminals. After the Cultural Revolution, China still needed its factories, and many people stayed after their period of \u201cre-education\u201d ended. Thus, the neighborhoods in which these stories take place are mixtures of people from many backgrounds, from intellectual to criminal, whose thoughts and actions continue to be haunted by the Cultural Revolution.<\/p>\n<p>For instance, in the first story, \u201cThe Aeronaut,\u201d the narrator Xuguang thinks over why he has no interest in attending college even though, now that the Cultural Revolution is over and universities are reopening after ten years shut: \u201cif he became a college student, that would make him some kind of professional egghead, and to what end?\u201d<\/p>\n<p style=\"padding-left: 40px;\">Look at the ten years that had just gone by, and project them forward two decades\u2014would these college students enjoy the fruits of their labors? He\u2019d witnessed a classmate slitting a teacher\u2019s nose, and if he\u2019d wanted, he could have grabbed the knife and slashed that teacher\u2019s cheek as well. They said A one day and B the next, and now the university entrance exams were back, but who could say that they wouldn\u2019t turn from B back to A again? All that studying, only to end up as a stinking ninth-rate intellectual?<\/p>\n<p>Into this hopeless world Xuguang is sent to find his uncle, the one who had first dreamed of designing jet packs for people to travel with, toward which key family members had invested. Even though his dream didn\u2019t come true\u2014an idea unencumbered by any knowledge of physics or design\u2014the family still admires his imagination and ambition. Otherwise, uncle is a homeless drunk.<\/p>\n<p>But compare the desultory life of his Xuguang\u2019s uncle to his mother\u2019s traditional life with his father:<\/p>\n<p style=\"padding-left: 40px;\">After the factory went bankrupt and the two of them had to fend for themselves, her spirits grew a little heavier. When their home was demolished in the government\u2019s urban clearances, and they had to move to a shantytown on the outskirts of the city, her spirits grew heavier still. They were given a new apartment in compensation, but it never got any sunlight, no one ever cleaned the shared corridors, and the young renters upstairs were professional thugs. Then my father died, a blow that completed Ma\u2019s descent into dour middle age.<\/p>\n<p>As it comes to pass, the uncle has one more trick up his sleeve, this one already assembled and ready to go.<\/p>\n<p>\u201cBright Hall\u201d concerns the inhabitants of a building on a winding road called Yanfen Street. In one of its incarnations, it was used during the Cultural Revolution for interrogations by Red Guards. The main action of the story takes place some 10 or 15 years afterward, and involves a character who obtains a meticulously detailed map of Yanfen Street from Liao Chenghu, an acquaintance of the narrator\u2019s but 30 years his senior, whose middle fingers were chopped off by Red Guards at Bright Hall because he created sculptures alleged to be reactionary.<\/p>\n<p>As minutely detailed in the map, Yanfen Street\u2019s winding length forms a geographically enormous coil with a lake at its center, a decrepit factory nearby, and a cemetery behind it. The street\u2019s coil is like the circles of Dante\u2019s <em>Inferno<\/em>, but the characters of \u201cBright Hall\u201d are unvoluntary inhabitants of a hell perpetuated by government actions designed to undermine civic harmony and encourage the betrayal of friends and family in the name of ideological purity, leading to multi-generational duplicities among family members and friends. Unlike Dante\u2019s <em>Inferno<\/em>, however, few people on Yanfen Street live there because they \u201cdeserve\u201d it, and few seem to understand what they\u2019re caught up in.<\/p>\n<p>\u201cMoses on the Plain\u201d is told via an interconnected set of first-person narratives that explain a community and solve a murder over a 12-year period. The time is Post-Cultural Revolution but before China enters the world market and its manufacturing section goes into overdrive. Threatened during this time (and continuing today) are old apartment complexes that the government razes while dispersing the former tenants to different cities, their bonds severed, including agreed-upon gestures and gifts that settle arguments and forge modes of mutual reciprocation and responsibility.<\/p>\n<p>Downbeat but realistic, Shuang\u2019s characters are compelling even when misguided, and Jeremy Tiang\u2019s translation is rendered smoothly in idiomatic English.<\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/verylast.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71758\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/verylast-101x150.jpg\" alt=\"\" width=\"101\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/verylast-101x150.jpg 101w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/verylast.jpg 338w\" sizes=\"auto, (max-width: 101px) 100vw, 101px\" \/><\/a><a href=\"https:\/\/bookshop.org\/a\/1028\/9781681376424\" target=\"_blank\" rel=\"noopener\"><strong> The Very Last Interview<\/strong><\/a><br \/>\nDavid Shields<br \/>\nNYRB<\/p>\n<p>A funny and depressing \u201cmemoir\u201d of a sort based not on Shields\u2019s disquisitions about his life but on the interviewers\u2019 presumptions about Shields\u2019s life. For <strong>The Very Last Interview<\/strong>, Shields extracted 2,000+ questions from 40 years of interviews with him, which he then organized into categories. The results are appalling for what they reveal about the character of the questioners and their seeming refusal to accept Shields\u2019s own explanations for, say, his motivations, rather than those they came to the interview with. What the interviews presume to tell us is that Shields is a depressive Jew whose career has been on the skids for the past 20 years or so and whose life, at every point, has been haunted and debilitated by stuttering.<\/p>\n<p><strong>The Very Last Interview<\/strong> is an extended exercise in bad rhetoric and bad faith: Most questions have only \u201cyes\u201d or \u201cno\u201d as their answer, many of which also serve as leading questions, since the \u201ccorrect\u201d answer is already embedded in the questions themselves. At any point the interviewers receive answers contrary to their expectations, they are more interested in discrediting Shields\u2019s opinion than they are in revising their own. Apart from their unwarranted assumptions, the questions also vary from the impertinent to invasive to insulting, and all are utterly asinine and inane.<\/p>\n<p style=\"padding-left: 40px;\">If your books aren\u2019t really seeing anymore\u2014which more or less means that you no longer have a readership\u2014then why, exactly, are you still writing them<\/p>\n<p>On Shields\u2019s athletic adolescence and its sudden end:<\/p>\n<p style=\"padding-left: 40px;\">Your broken leg\u2014kind of a convenient excuse, don\u2019t you think?<\/p>\n<p style=\"padding-left: 40px;\">It\u2019s not as if you were destined to be Seabiscuit and then, after the broken leg, you suddenly became Stephen Hawking, is it?<\/p>\n<p style=\"padding-left: 40px;\">There\u2019s that hoary clich\u00e9 about how sports teach people focus and hard work and discipline; you\u2019re not going <em>there<\/em>, are you?<\/p>\n<p>On the quality of Shields\u2019s teaching:<\/p>\n<p style=\"padding-left: 40px;\">Ever taught a truly great course?<\/p>\n<p style=\"padding-left: 40px;\">How about a single really excellent class?<\/p>\n<p style=\"padding-left: 40px;\">How about a genuinely meaningful one-on-one conference with a student?<\/p>\n<p style=\"padding-left: 40px;\">Perhaps you view teaching as nothing more than a day job?<\/p>\n<p style=\"padding-left: 40px;\">A sinecure?<\/p>\n<p style=\"padding-left: 40px;\">What\u2019s your salary?<\/p>\n<p style=\"padding-left: 40px;\">Seriously?<\/p>\n<p style=\"padding-left: 40px;\">Seems to me a poor expenditure of taxpayers\u2019 dollars, since what do the residents of the state actually get as a result?<\/p>\n<p>On the trajectory of Shields\u2019s career:<\/p>\n<p style=\"padding-left: 40px;\">But you\u2019re too old to change your life in any substantive way, wouldn\u2019t you agree?<\/p>\n<p style=\"padding-left: 40px;\">So\u2014not to put too fine a point on it\u2014has it been as wasted life?<\/p>\n<p>Who wouldn\u2019t be a depressive misanthrope dealing with such idiots? Back in 1960s, the cultural critic Dwight McDonald coined the phrase \u201cphosphorescent quotation,\u201d which for him signaled a new turn in American humor, a turn based not on traditional jokes or exaggeration but on straight-faced quotation of statements that are prima facie absurd to begin with\u2014such as Eisenhower\u2019s tautology, \u201cThings are more like today than they\u2019ve ever been before.\u201d In that regard, <strong>The Very Last Interview<\/strong> emphatically glows.<br \/>\n<iframe loading=\"lazy\" title=\"NYRB: David Shields presents &quot;The Very Last Interview,&quot; with Laura Kipnis\" width=\"635\" height=\"357\" src=\"https:\/\/www.youtube.com\/embed\/GluAgch6CHI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/5_Black-White-Red.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71760\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/5_Black-White-Red-97x150.jpg\" alt=\"\" width=\"97\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/5_Black-White-Red-97x150.jpg 97w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/5_Black-White-Red.jpg 322w\" sizes=\"auto, (max-width: 97px) 100vw, 97px\" \/><\/a><strong><a href=\"https:\/\/bookshop.org\/a\/1028\/9781939663849\" target=\"_blank\" rel=\"noopener\">Black-White-Red: Grotesques<\/a><\/strong><br \/>\nMynona \/ W. C. Bamberg<br \/>\nWakefield Press<\/p>\n<p>Originally published in 1916, this is the fourth book of grotesques by Mynona, n\u00e9e Salomo Friedlaender, to be brought back by Wakefield Press, translating from German to English stories quite strange\u2014simultaneously funny and eerie, overwrought and earnest\u2014and written by a man who could claim Martin Buber, Walter Benjamin, and Karl Kraus among his fans. (\u201cMynona\u201d is the German for \u201canonymous\u201d spelled backward.) <strong>The Unruly Bridal Bed<\/strong>, an earlier collection by Mynona, can read like Poe and Lovecraft meet Laurel and Hardy. <strong>The Creator<\/strong> and <strong>My Papa and the Maid of Orleans<\/strong> are the two other works available.<\/p>\n<p>Five of the six \u201cgrotesques\u201d comprising <strong>Black-White-Red<\/strong> are miniature parodies (the book is only 51 pages long) of philosophy and science, with one beyond-the-grave tale. The effect is one that few authors today explicitly set out to create in their readers\u2019 experience: that the stories be droll. Mynona\u2019s day job was as the philosopher Salomo Friedlaender, and appropriately enough, the first grotesque in this collection is a philosophical argument\u2014one on the superiority of Goethe\u2019s color theory to Newton\u2019s (all is explained and examples are provided). The second grotesque, \u201cGoethe Speaks into the Phonograph: A Love Story,\u201d is closer to today\u2019s sense of \u201cgrotesque\u201d as \u201cgross,\u201d as it involves exhuming Goethe\u2019s corpse with the aim to both reproduce his voice and, through an ingenious device (cf., not convincingly explained), amplify his still-echoing voice at home and record his timeless words. Jealousy is involved. . . You get the idea.<\/p>\n<p>Charming, inventive, and indeed droll.<\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/6_Periplus.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71761\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/6_Periplus-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/6_Periplus-150x150.jpg 150w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/6_Periplus-768x768.jpg 768w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/6_Periplus.jpg 800w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><strong>The Periplus of Spur Tank Road<\/strong><br \/>\nRick Harsch<br \/>\n<a href=\"https:\/\/coronasamizdat.com\/index.php?id_product=63&amp;rewrite=the-periplus-of-spur-tank-road&amp;controller=product\" target=\"_blank\" rel=\"noopener\">corona\/samizdat<\/a><\/p>\n<p>As a periplus, the book falls short because the author gets no further than describing one spot along Spur Tank Road\u2014well, less a description of a spot\u2014i.e., the bar at the Hotel Ganesh\u2014than a recording of a conversation the narrator has with a bonnet macaque monkey that has taught itself speech and the ability to read. They meet as strangers. But the macaque, named Pagen, is affable enough to introduce himself. Once the narrator, Rick, confirms the macaque\u2019s abilities, he suddenly realizes that \u201cnow people are looking at me, looking at me talking to a monkey.\u201d To which Pagan deadpans, \u201cI don\u2019t think they can see me.\u201d<\/p>\n<p>And yet, there he is, keeping up his side of the wide-ranging conversation, which eventually settles around Vasco da Gama and series of atrocities he initiated against India\u2019s citizens, from which a consensus between the two forms that humans are no damn good. In addition to that agreement are good amounts of puns and other word play, anecdotes, and observations, making for good-natured banter and rapier repartee.<\/p>\n<p>Here is one of Pagan\u2019s anecdotes:<\/p>\n<p style=\"padding-left: 40px;\">\u201cMy tail got set on fire once. Completely disaster. We were down by that river you call the Cauvery, a narrow, generally shallow expanse with an island in the middle. Lightning struck a tree I was in growing out from near the bank, a fire sprouted, I tried to slap it out with my tail, but it was dry season, so my tuft caught and I feared the hot ass, panicked, jumped, missed the river, and in said panic and accompanying hoppery I set fire to all the trees on the island, one female burned to death. She was a favorite of the older males. Had they been humans I would have been in trouble. As it was, I was nursed back to health, had irregular hair for a long time, other than that the only lasting effect was one less lovely bonnet macaque in the jungle.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>It\u2019s kind of thing you\u2019ll like if you like this kind of thing, as I do.<\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/7_Keywords.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71762\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/7_Keywords-97x150.jpg\" alt=\"\" width=\"97\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/7_Keywords-97x150.jpg 97w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/7_Keywords.jpg 322w\" sizes=\"auto, (max-width: 97px) 100vw, 97px\" \/><\/a><strong><a href=\"https:\/\/bookshop.org\/a\/1028\/9781642597028\" target=\"_blank\" rel=\"noopener\">Keywords for Capitalism: Power, Society, Politics<\/a><\/strong><br \/>\nJohn Patrick Leary<br \/>\nHaymarket Books<\/p>\n<p><strong>Keywords for Capitalism<\/strong> follows Leary\u2019s previous <a href=\"https:\/\/bookshop.org\/a\/1028\/9781608469628\" target=\"_blank\" rel=\"noopener\"><strong>Keywords: The New Language of Capitalism<\/strong><\/a> and, like its predecessor, approaches the concepts under consideration with amused (and amusing) skepticism toward their purported meanings and uses, given that purported intent rarely matches actual outcome.<\/p>\n<p>For instance, Leary sees the topic of \u201cpartisanship\u201d often negatively characterized as a form of \u201ctribalism,\u201d and tribes are what \u201cbackwards\u201d nations are populated by. \u201c\u2019[T]ribe\u2019 is often synonymous with \u2018ethnicity,\u2019 yet . . . also marks linguistic and geographic disparities. But the word \u2018nation\u2019 does the same thing\u2014so what\u2019s the difference? One answer is that calling someone else\u2019s nation a \u2018tribe\u2019 is a prerogative of conquest. As the Kenyan novelist Ngugi wa Thiong\u2019o has summed it up: thirty million Yorubas are a <em>tribe<\/em>, but four million Danes are a <em>nation<\/em>.\u201d<\/p>\n<p>The tone throughout is ironic, presumably in response to the earnest contradictions embedded in terms like \u201cpolicy\u201d and \u201cpundit.\u201d Hypocrisies and contradictions (conscious and un-), historical shifts in meaning\u2014the events that make wry skepticism a rational response to everything political, especially once contentious terms become part of administrative vocabulary. For instance, \u201c\u2019Inclusion\u2019 is usually defined as the way you get \u2018diversity,\u2019 the concept to which it\u2019s habitually bound.\u201d<\/p>\n<p>On the one hand, it is diversity\u2019s whimsical, unmeasurable sibling, a subjective matter of employees\u2019 and students\u2019 feelings and sense of belonging. And on the other, inclusion is a list of human-resources policy proposals, none of which ever seem to involve a labor union, free tuition, or a robust grievance procedure.<\/p>\n<p style=\"padding-left: 40px;\">It almost makes you think that the point of \u2018inclusion\u2019 initiatives spearheaded by managers is that they never have to end. Why, after all, would one expect them to ensure accountability for themselves? Here, the contrast with an older synonym, \u2018integration,\u2019 is instructive. Integration, as a word and (at least) as an ideal, is opposed by \u2018segregation\u2019; inclusion, by the much less precise concept of \u2018exclusion.\u2019. . . A more \u2018inclusive\u2019 institution only needs to become a better and more effective version of itself. It\u2019s something you should <em>want<\/em> to be a bigger part of.<\/p>\n<p>Leary ends his exegesis of \u201cinclusion\u201d with an example from the CIA boasting of its inclusion policies for women, where the organization notes that one of its female agents<\/p>\n<p style=\"padding-left: 40px;\">found \u2018resilience\u2019 in a childhood spent in a war zone, where she handled weapons and drove armored trucks before she turned twelve. The only problem with this story, though, is that her school of hard knocks was 1970s Rhodesia. . . When \u2018inclusion\u2019 can seem to celebrate the last ruthless embers of white colonialism in southern Africa, it\u2019s outlived any usefulness it had.<\/p>\n<p>Even positive terms like \u201cally\u201d and \u201callyship\u201d are shown to be inherently weak and ineffective in terms of describing actions that can reduce disenfranchisement and bring about greater participation in democratic processes.<\/p>\n<p style=\"padding-left: 40px;\">Allyship is best compared with \u2018solidarity,\u2019 our best word for the practice of making and nurturing allegiances based on principle and common interest. Solidarity, though, is a thing that you do\u2014and you can only do it on behalf of another. An \u2018ally,\u2019 most of the time, is a thing you are, a feature of an individual person\u2019s character.<\/p>\n<p>\u201cAs such, it is too easy to do it mostly for yourself,\u201d in the form of, say, virtue-signaling to your friends and family by clicking a \u201clike\u201d button on a Facebook post.<\/p>\n<p><strong>Keywords for Capitalism <\/strong>is often surprising and always interesting, thoughtful, and insightful.<\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/8_When-the-Night.webp\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71763\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/8_When-the-Night-100x150.webp\" alt=\"\" width=\"100\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/8_When-the-Night-100x150.webp 100w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/8_When-the-Night.webp 333w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a><strong><a href=\"https:\/\/bookshop.org\/a\/1028\/9781646051885\" target=\"_blank\" rel=\"noopener\">When the Night Agrees to Speak to Me<\/a><\/strong><br \/>\nAnanda Devi \/ Kazim Ali<br \/>\nDeep Vellum<\/p>\n<p>Of Indian origin but coming from the tiny island of Mauritius in the Indian Ocean, Ananda Devi is a Francophone writer whose poems and prose poems represented here focus on the immigrant life and being a woman\u2014and all the uncertainties, fears, hopes, abuses that go with them. In the second poem of her 30-poem sequence \u201cWhen the Night Agrees to Speak to Me,\u201d she addresses the vengeful governments millions are trying to flee but are often forced to return to by other countries:<\/p>\n<p style=\"padding-left: 40px;\">I don\u2019t know you<br \/>\nAm unaware of your name<br \/>\nYour face unfamiliar<br \/>\nScarred by its rage<\/p>\n<p style=\"padding-left: 40px;\">When you tear up my page<br \/>\nYou will know who I was<br \/>\nA wound, an upheaval,<br \/>\nA scrap from a dream<\/p>\n<p style=\"padding-left: 40px;\">You, the master of our fate<br \/>\nWhose name I do not know<br \/>\nFrom where comes all this anger<br \/>\nThis unforgiving fury?<\/p>\n<p style=\"padding-left: 40px;\">I fled fast as I could<br \/>\nBut you brought me back<br \/>\nDragging me by the hair<br \/>\nLike the last of the damned.<\/p>\n<p>In direct, concrete language she thinks of the young men who choose \u201cthe deceptive casual power of a bullet\u201d as a mode of life, and with it<\/p>\n<p style=\"padding-left: 40px;\">the killing blow you do not see coming but from your exploded mouth hangs the mud of your dreams and with this in your hands you will know nothing of the others but their fear you will bend by your rage but no other body will have ever offered you love<\/p>\n<p>The interview with Devi at the book\u2019s end and essay of appraisal provide further insight into her prose and poetry and encourage curious readers to seek out more of her outstanding work. Kazim Ali\u2019s translation is excellent, succeeding in creating a unique but natural-sounding voice in English.<\/p>\n<p><iframe loading=\"lazy\" title=\"Ananda Devi - Literary Talks Series\" width=\"635\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/nyo66ZUuFAU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/9_Specialist.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-71764\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/9_Specialist-101x150.png\" alt=\"\" width=\"101\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/9_Specialist-101x150.png 101w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/9_Specialist-768x1144.png 768w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2022\/09\/9_Specialist.png 909w\" sizes=\"auto, (max-width: 101px) 100vw, 101px\" \/><\/a><strong>Specialist Fabricator<\/strong><br \/>\nGary Mundy<br \/>\n<a href=\"https:\/\/amphetaminesulphate.bigcartel.com\/product\/specialist-fabricator\" target=\"_blank\" rel=\"noopener\">Amphetamine Sulphate<\/a><\/p>\n<p>\u201cGary Mundy is the founding member of Ramleh, and ran the legendary label Broken Flag,\u201d says the blurb on the Amphetamine Sulphate website, none of the proper nouns in it I had heard of before reading this 40-page book, but which, as a fan of Merzbow, I can now say, OK, I can see all of this happening\u2014whether or not it\u2019s literally or fictionally true. The po-mo version of \u201cIs it live or is it Memorex?\u201d is irrelevant if the story is both well-told and true to life (and it is), if not the life of Mr Mundy in particular.<\/p>\n<p><strong>Specialist Fabricator<\/strong> is, perhaps, Mundy\u2019s autobiographical musing about his beloved father\u2019s death; his battles with profound anxiety and, as a result, drugs and alcohol; and his fears of having betrayed two peers to a bad fate early in life and making his wife\u2019s a hell by doing such things as attempting suicide in front of her. The narrative is unadorned simplicity, seamlessly weaving together strands of the story occurring years and decades apart from each other. The mad compulsion to suicide forms the climax of the book, which put me in mind of Simon Critchley\u2019s <strong>Memory Theatre<\/strong> and <a href=\"https:\/\/bookshop.org\/a\/1028\/9781910695067\"><strong>Notes on Suicide<\/strong><\/a>, which also cover emotionally intense breakdowns with sympathy and insight.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I arrogantly recommend&hellip;by Tom Bowden is a monthly column of small press and books-in-translation reviews by our friend, bibliophile, and retired pavement inspector Tom Bowden, who tells us, &lsquo;This platform allows me to exponentially increase the number of people reached who have no use for such things.&rsquo; Links are provided to our Bookshop.org affiliate page. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":71766,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-71753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/71753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/comments?post=71753"}],"version-history":[{"count":0,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/71753\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media\/71766"}],"wp:attachment":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media?parent=71753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/categories?post=71753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/tags?post=71753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}