{"id":71043,"date":"2022-02-12T21:06:21","date_gmt":"2022-02-13T02:06:21","guid":{"rendered":"https:\/\/www.thebookbeat.com\/backroom\/?p=71043"},"modified":"2022-02-13T10:52:43","modified_gmt":"2022-02-13T15:52:43","slug":"barry-roth-on-sculptographs","status":"publish","type":"post","link":"https:\/\/www.thebookbeat.com\/backroom\/2022\/02\/12\/barry-roth-on-sculptographs\/","title":{"rendered":"Barry Roth on Sculptographs"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\">What is a Sculptograph?<\/h2>\n<p>A &#8220;Sculptograph&#8221; is a title I use for a series of work that I have been working on using my cell phone. This body of work is an extension of what I have been working on since the mid 1970&#8217;s. At that time I was experimenting with ideas that pushed the limits of traditional photography. I was working on a series of B &amp; W images, Rollicord camera ,tripod, darkroom, contact sheets, a very time consuming process, old school. I had an image I really wanted to use but there was a couple things I didn&#8217;t want in them. I scratched them out of the negative and printed it with the scratch marks. I found what I had taken away had actually added something new visually. I ended-up ripping apart different negatives and rearranging them in a 4&#215;5 glass negative carrier and making them into prints. I started to do the same thing with SX-70 Polaroids, and have 30 years worth of SX-70 Cut-ups where I would cut-out certain parts and rearrange them in different ways.<\/p>\n<p>One of the things I immediately liked was how I could see my handmark in the image. I think ideas of sculpture, construction, collage, are reflected in my work. I&#8217;m also interested in drawing,painting, printmaking and poetry. I constantly experiment with new materials and ways to extend my vision.<\/p>\n<p>I also love the ambiguous nature of photography and its ability to question truth, a notion most people struggle with. I like combining my drawings with everyday urban landscapes, for me they play off an internal\/external world, familiar and uncertain, a visual poem. Each image is a single composition, that&#8217;s what I work towards each time within my process. I don&#8217;t plan much, I react and trust my instincts. The books, zines, and constructions are all ways of extending my vision of composition. ~Barry Roth<\/p>\n<hr>\n<p><strong>About the Artist:<\/strong> Barry Roth is an artist and photographer born in Detroit, Michigan, 1951. Roth received a BFA in 1973 from Rochester Institute of Technology,Rochester, N.Y., and a MFA in 1976 from the Cranbrook Academy of Art, Bloomfield Hills, Michigan. \/ He is a founding member of the Nightcrawlerz collective and lives in Huntington Woods, Michigan. Barry has been an active part of the Detroit area art community since the mid 1970&#8217;s, his work is in the permanent collections of The Cranbrook Museum of Art, Wayne State University Art Collection and The Museum of Modern Art in NYC.&nbsp;<\/p>\n<hr>\n<p>\u2022 Check out Roth&#8217;s new limited edition artist zine: <a href=\"https:\/\/www.thebookbeat.com\/bookshop\/catalog\/persistence-of-vision-1-the-sculptograph-series\/\"><em>Persistence of Vision: Sculptographs #1<\/em><\/a><\/p>\n<p>\u2022 A selection of Barry Roth cereal box sculptures, used in Sculptograps are also for sale in our <a href=\"https:\/\/www.thebookbeat.com\/bookshop\/?s=cereal+box&amp;post_type=product\">Backroom gallery<\/a><\/p>\n<p>\u2022 Read more about Roth&#8217;s image making at <a href=\"https:\/\/essayd.org\/?p=2179\">Essay&#8217;d<\/a><\/p>\n<p>\u2022 Follow Roth&#8217;s artwork on <a href=\"https:\/\/www.instagram.com\/barryrothart\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; What is a Sculptograph? A &ldquo;Sculptograph&rdquo; is a title I use for a series of work that I have been working on using my cell phone. This body of work is an extension of what I have been working on since the mid 1970&rsquo;s. At that time I was experimenting with ideas that pushed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":71064,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[13],"tags":[699,700],"class_list":["post-71043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography","tag-barry-roth","tag-scultograph"],"_links":{"self":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/71043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/comments?post=71043"}],"version-history":[{"count":0,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/71043\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media\/71064"}],"wp:attachment":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media?parent=71043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/categories?post=71043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/tags?post=71043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}