{"id":66053,"date":"2017-10-01T15:06:10","date_gmt":"2017-10-01T19:06:10","guid":{"rendered":"http:\/\/www.thebookbeat.com\/backroom\/?p=66053"},"modified":"2020-05-07T13:28:53","modified_gmt":"2020-05-07T17:28:53","slug":"reading-group-selection-for-october","status":"publish","type":"post","link":"https:\/\/www.thebookbeat.com\/backroom\/2017\/10\/01\/reading-group-selection-for-october\/","title":{"rendered":"Reading Group Selection for October"},"content":{"rendered":"<p><a href=\"http:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2017\/10\/Perchance-to-Dream.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-66056\" src=\"http:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2017\/10\/Perchance-to-Dream-98x150.jpeg\" alt=\"\" width=\"98\" height=\"150\"><\/a>\u201c[Beaumont\u2019s] imagination, as&nbsp;<i>Perchance to Dream<\/i>&nbsp;amply shows, was more than most writers enjoy in the longest of lifetimes.\u201d&nbsp;<b><i>-NPR<\/i><\/b><\/p>\n<p>The Book Beat reading group selection for October is&nbsp;<strong><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/318165\/perchance-to-dream-by-charles-beaumont-foreword-by-ray-bradbury-afterword-by-william-shatner\/9780143107651\/\">Perchance to Dream: Selected Stories<\/a>&nbsp;<\/strong>by <a href=\"http:\/\/twilightzone.wikia.com\/wiki\/Charles_Beaumont\"><b>Charles Beaumont<\/b><\/a>. The Reading Group will meet on&nbsp;<strong>Wednesday, October 25th&nbsp;<\/strong>at&nbsp;<strong>7pm<\/strong>&nbsp;in the&nbsp;<strong>Goldfish Tea Room (117 W 4th St #101, Royal Oak, MI 48067)<\/strong>. Reading Group selections are discounted 15% at Book Beat. For more information, please call&nbsp;<strong>(248) 968-1190<\/strong>. All are welcome!<\/p>\n<p><em><strong>Perchance to Dream<\/strong><\/em> is the profoundly original and wildly entertaining short stories of a legendary&nbsp;<i>Twilight Zone<\/i>&nbsp;writer, with a foreword by Ray Bradbury and an afterword by William Shatner<br \/>\n&nbsp;<br \/>\nIt is only natural that Charles Beaumont would make a name for himself crafting scripts for&nbsp;<i>The Twilight Zone<\/i>\u2014for his was an imagination so limitless it must have emerged from some other dimension.&nbsp;<i>Perchance to Dream<\/i>&nbsp;contains a selection of Beaumont\u2019s finest stories, including seven that he later adapted for&nbsp;<i>Twilight Zone<\/i>&nbsp;episodes.<\/p>\n<p>Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont\u2019s hands, nothing is impossible: it all seems plausible, even likely.<\/p>\n<p>\u201cThis fresh collection of Beaumont\u2019s weird fiction is rife with fantastical tropes and twist endings\u2026Twist endings get a bad rap in our oh-so-sophisticated millennium, but in&nbsp;<i>Perchance to Dream<\/i>, they\u2019re in the hands of a master\u2026Throughout the book, Beaumont challenges perception, norms, and our smug reliance on appearances, using supernatural and science-fictional elements to drive home his points \u2014 sometimes gently, sometimes jarringly\u2026[Beaumont\u2019s] imagination, as&nbsp;<i>Perchance to Dream<\/i>&nbsp;amply shows, was more than most writer\u2019s enjoy in the longest of lifetimes.\u201d<br \/>\n<i>-NPR<br \/>\n<\/i><br \/>\n\u201cBeaumont\u2019s stories offer flashes of true horror, subverting shock value with vertiginous questions about good, evil and human nature.\u201d<br \/>\n<i>\u2014The Seattle Times<\/i><\/p>\n<p>\u201cCreepy, melancholy short stories from the mid-20th-century master\u2026Each with its satisfying twist, often surprisingly surprising, these stories charm and entertain.\u201d<br \/>\n\u2013<i>Kirkus<\/i><\/p>\n<p><b style=\"font-size: 1.4rem;\"><a href=\"http:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2017\/10\/Charles-Beaumont.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-66054\" src=\"http:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2017\/10\/Charles-Beaumont-105x150.jpg\" alt=\"\" width=\"105\" height=\"150\"><\/a><\/b><\/p>\n<p><b>Charles Beaumont<\/b>&nbsp;(January 2, 1929 \u2013 February 21, 1967) was an&nbsp;American author&nbsp;of&nbsp;speculative fiction, including&nbsp;short stories&nbsp;in the&nbsp;horror&nbsp;and&nbsp;science fictionsubgenres. He is remembered as a writer of classic&nbsp;<i>Twilight Zone<\/i>&nbsp;episodes, such as &#8220;The Howling Man&#8221;, &#8220;Miniature&#8221;, &#8220;Printer&#8217;s Devil&#8221;, and &#8220;Number Twelve Looks Just Like You&#8221;, but also penned the screenplays for several films, among them&nbsp;<i>7 Faces of Dr. Lao<\/i>,&nbsp;<i>The Intruder<\/i>&nbsp;and&nbsp;<i>The Masque of the Red Death<\/i>. Novelist&nbsp;Dean R. Koontz has said, &#8220;Charles Beaumont was one of&nbsp;<i>the<\/i>&nbsp;seminal influences on writers of the fantastic and macabre.&#8221;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&ldquo;[Beaumont&rsquo;s] imagination, as&nbsp;Perchance to Dream&nbsp;amply shows, was more than most writers enjoy in the longest of lifetimes.&rdquo;&nbsp;-NPR The Book Beat reading group selection for October is&nbsp;Perchance to Dream: Selected Stories&nbsp;by Charles Beaumont. The Reading Group will meet on&nbsp;Wednesday, October 25th&nbsp;at&nbsp;7pm&nbsp;in the&nbsp;Goldfish Tea Room (117 W 4th St #101, Royal Oak, MI 48067). Reading Group selections [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3,25],"tags":[],"class_list":["post-66053","post","type-post","status-publish","format-standard","hentry","category-general","category-reading-group"],"_links":{"self":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/66053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/comments?post=66053"}],"version-history":[{"count":0,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/66053\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media?parent=66053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/categories?post=66053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/tags?post=66053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}