{"id":6546,"date":"2014-11-15T00:00:45","date_gmt":"2014-11-15T05:00:45","guid":{"rendered":"http:\/\/www.thebookbeat.com\/backroom\/?p=6546"},"modified":"2020-05-07T13:30:33","modified_gmt":"2020-05-07T17:30:33","slug":"work-box-by-the-detroit-artists-workshop","status":"publish","type":"post","link":"https:\/\/www.thebookbeat.com\/backroom\/2014\/11\/15\/work-box-by-the-detroit-artists-workshop\/","title":{"rendered":"Work Box by the Detroit Artists’ Workshop"},"content":{"rendered":"
\"All

Contents of Work Box are contained in a heavy duty cardboard book box.<\/p><\/div>\n

The Work Box: A 50th Anniversary Celebration of the Artists’ Workshop.<\/strong><\/p>\n

MOCAD, Mike Kelley\u2019s Mobile Homestead and the Detroit Artists\u2019 Workshop present WORK BOX: a collection of book reprints, interviews, postcards and artifacts from the Detroit Artists\u2019 Workshop. The WORK BOX is available in a limited numbered edition of 125 copies from MOCAD, Book Beat or the DAW. The Work Box project was made in conjunction with the exhibition; Roots & Branches: The 50th Anniversary of the Detroit Artists Workshop (1964-2014) now on display at Mike Kelley\u2019s Mobile Homestead (the house behind MOCAD). The hours of the Mobile Homestead are Friday-Sunday 11 am- 5 pm. The exhibition continues until January 4th, 2015.<\/p>\n

The Work Box honors living and past members of Workshop, who pioneered the first avant-garde collective in the city of Detroit, founded on Nov. 1st, 1964. The price is $95 + shipping. More information at: MOCAD Press Release<\/a> and more info on the DAW at: http:\/\/www.detroitartistsworkshop.com\/<\/a><\/p>\n

\"Booklets,

Booklets, stickers and postcards from Work Box<\/p><\/div>\n

WRITING<\/strong><\/p>\n

Sit Up Straight<\/strong> by George Tysh is the poet\u2019s first collection, printed in 1965, with a frontispiece drawing by Eizo Nishiura, printed now in an edition of 150 copies.<\/p>\n

The Book of Humors <\/strong>by James Semark is a collection of concrete poems, observations and reviews by Semark with illustrations by Larry Weiner. This was Semark\u2019s first collection originally printed in 1965. This new edition is printed in an edition 200 copies.<\/p>\n

The Book of Ruins <\/strong> by Robin Eichele is the poet\u2019s first collection from 1965. It is illustrated in runes drawn by the author and is reprinted in an edition of 150 copies.<\/p>\n

Common Ground & Mother & Child<\/strong>; two poems by Bill Harris were first printed in a catalog for Gallery 7 in 1971, they are reprinted with a photo of Bill Harris by Leni Sinclair in an edition of 125 copies.<\/p>\n

Meditations <\/strong>by John Sinclair was originally printed by the Artists Workshop Press in 1967, this edition contains a different cover photo and was printed by the Book Beat in 2007 on the 40th anniversary of John Coltrane\u2019s death, in an edition of 500.<\/p>\n

The Realization of Peyotemind and After<\/strong> by John Sinclair was based on a 1963 student journal of Sinclair\u2019s first psychedelic experience, and was published by The Book Beat Gallery\/ The End is Here in 2002 in an edition of 500.<\/p>\n

The Poem for Warner Stringfellow<\/strong> by John Sinclair is a letter\/poem written to the Detroit police detective responsible for his arrest on marijuana charges. It was first published in 1966 by the AWS press, this new printing is in an edition of 150 copies.<\/p>\n

The Fugs Songbook!<\/strong> by the Fugs is a collection of songs edited and first published by Ed Sanders in 1965. This copy is based on the 1967 AWS press fundraiser edition, and is published in 2014 in an edition of 200 copies.<\/p>\n

Revolutionary Letters<\/strong> by Diane di Prima is based on the 1968 AWS press edition and is printed in an edition of 125 copies.<\/p>\n

Growing Up and Being Serious in Detroit<\/strong> is an 11 page interview with Charles Moore and Robin Eichele, recorded in Los Angeles, 2004, by Cary Loren and transcribed in 2014 with three photos by Leni Sinclair, printed in an edition of 125 copies.<\/p>\n

\"Objects

Objects from Work Box<\/p><\/div>\n

SOUND<\/strong><\/p>\n

The Detroit Artists Workshop 50 Collection<\/strong> CD-R is edited by James Semark and John Sinclair. There are 8 tracks of vintage recordings from the Detroit Contemporary 4, The Workshop Music Ensemble, Bob Marsh, Ted Lucas, the Lyman Woodard Ensemble. Liner notes by John Sinclair and James Semark, produced in an edition of 125 copies.<\/p>\n

Live at the Detroit Institute of Arts<\/strong> DVD is a live video recording from James Semark\u2019s collection. The DVD features the Artists Workshop Ensemble in concert with Lyman Woodard, Larry Nozero, Danny Spencer, John Dana and Ron English. Poetry read by John Sinclair. Video recorded at the 2004 DAW anniversary concert held at the DIA. Produced in an edition of 125 copies.<\/p>\n

Peyotemind <\/strong>by John Sinclair with Monster Island – CD was released in 2002 and is a live recorded version of Sinclair\u2019s peyote influenced poem from 1963 and includes his LSD inspired \u2018Monk in Orbit\u2019, recorded live at the Detroit Contemporary gallery in 2001.<\/p>\n

VISUAL ART & OTHER<\/strong><\/p>\n

Poetry is Revolution<\/strong> poster published by Guerrilla Magazine, 1968, reprinted in an edition of 125 copies<\/p>\n

Alternative Press Bumper Stickers:<\/strong> Blame God by Diane di Prima, Defund the Right by Ed Sanders, edition of 125 copies. Reprinted with permission from the AP.<\/p>\n

5 Designs<\/strong> by Gary Grimshaw: Sun Ra\/ MC5 postcard, Jimi Hendrix postcard, cover of Work #4, Hindu Sun deity, Magic Veil business card., edition of 150. Reprinted with permission from the estate of Gary Grimshaw.<\/p>\n

Make Noise Not War<\/strong> \u2013 postcard\/cartoon by Rob Tyner, edition of 150, reprinted with permission from the estate of Rob Tyner.<\/p>\n

Two photo postcards<\/strong> by Leni Sinclair; John Coltrane abstraction, and Martyr Medger Evers (March on Washington, 1963), edition of 150<\/p>\n

7 Postcard portfolio<\/strong> by Carl Schurer; portraits of Diane di Prima, Amiri Baraka, Ed Sanders, William S. Burroughs, Charles Moore, Allen Ginsberg and Robert Creeley.<\/p>\n

Assorted Flyers, Manifestos & Small Announcements<\/strong> for the \u2018Festival of People\u2019 Aug., 7th, 1966. A collection of 19 other flyers including artworks by Gary Grimshaw, Robin Summers, Eizo Nishiura at the Red Door gallery, Stephen Ligosky, Chuck Logan, Stanley Mouse, The Manifesto of the Artists Workshop Society, A Proposal to the People of Detroit, New Music programs, Free University of Detroit, Youth International Party press release and others.<\/p>\n

Roots & Branches:<\/strong> a numbered colophon listing the contents. Work Box was edited and designed by Cary Loren with support from the staff at MOCAD. The Work Box is sold out.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The Work Box: A 50th Anniversary Celebration of the Artists’ Workshop. MOCAD, Mike Kelley’s Mobile Homestead and the Detroit Artists’ Workshop present WORK BOX: a collection of book reprints, interviews, postcards and artifacts from the Detroit Artists’ Workshop. The WORK BOX is available in a limited numbered edition of 125 copies from MOCAD, Book Beat […]<\/p>\n","protected":false},"author":1,"featured_media":6549,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12,17,158,15,33],"tags":[197],"class_list":["post-6546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-detroit","category-jazz-and-blues","category-poetry","category-psychedelia","tag-detroit-artists-workshop"],"_links":{"self":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/6546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/comments?post=6546"}],"version-history":[{"count":0,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/6546\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media\/6549"}],"wp:attachment":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media?parent=6546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/categories?post=6546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/tags?post=6546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}