{"id":43,"date":"2020-10-01T08:35:11","date_gmt":"2020-10-01T12:35:11","guid":{"rendered":"http:\/\/thebookbeat.com\/backroom\/?p=43"},"modified":"2020-10-14T10:45:30","modified_gmt":"2020-10-14T14:45:30","slug":"be-zorch-daddy-o-go-ape","status":"publish","type":"post","link":"https:\/\/www.thebookbeat.com\/backroom\/2020\/10\/01\/be-zorch-daddy-o-go-ape\/","title":{"rendered":"Be Zorch, Daddy-O, GO APE!"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-69559 size-thumbnail\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2006\/05\/nerv-dot-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2006\/05\/nerv-dot-150x150.jpg 150w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2006\/05\/nerv-dot.jpg 432w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Nervous Norvus was a genius songwriter of the mid-50s with a string of novelty hits that began with &#8220;Transfusion&#8221; in 1956. The song was created from a 2&#8243; demo tape San Franciscan trucker Jimmy Drake sent to his local wild-man DJ: <strong>Red Blanchard<\/strong>. Red added tire squeals and car crash sound effects -and created a top ten hit in two hours. &#8220;<strong>Transfusion&#8221;<\/strong> had immediate popularity selling 500,000 copies in a week, but was also a fast victim of radio censorship. As a novelty song it&#8217;s one of the greatest, but perhaps all the gore, blood and road madness was too much at the time.<\/p>\n<div align=\"center\"><em><strong>Toolin&#8217; down the highway doin&#8217; 79<br \/>\nI&#8217;m a twin-pipe papa and I&#8217;m feelin&#8217; fine<br \/>\nHey man, dig that &#8212; was that a red stop sign?<\/strong><strong>[squeeeeeeeal &#8230; kee-RASH!]Transfusion, transfusion<br \/>\nI&#8217;m just a solid mess of contusions<br \/>\nNever never never gonna speed again.<br \/>\n<img decoding=\"async\" src=\"http:\/\/i58.photobucket.com\/albums\/g245\/carybeat\/eyepoper.gif\" align=\"middle\"><br \/>\nSlip the blood to me, Bud.<\/strong><\/em><\/div>\n<p><iframe loading=\"lazy\" title=\"1956 HITS ARCHIVE: Transfusion - Nervous Norvus\" width=\"635\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/W2AAk9oqg9U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr>\n<p><i>Some fellas have a way with words, but none quite like the late Jimmy Drake a.k.a. Nervous Norvous &#8211; the only true poet in the history of rock &#8216;n&#8217; roll.<\/i> Read more at:<a href=\"http:\/\/www.wfmu.org\/LCD\/19\/norvus.html\" target=\"_blank\" rel=\"noopener noreferrer\"> WFMU NERVOUS NORVUS<\/a><\/p>\n<hr>\n<p>Nervous Norvus&#8217; 1956 follow up to <em>Transfusion<\/em>, <em><strong>The Fang, <\/strong><\/em>&#8212; was a fast-paced tale of Martian mayhem at the teenage hop, released during the mid-50s UFO saucer scare. It opens with Telstar rocket-ship space effects, and THE FANG tearing into a red-hot space rap about teenage woo. Doff your shades and cop a listen to one of the all-time classics of rock &#8216;n roll space-rap:<\/p>\n<p><iframe loading=\"lazy\" title=\"NERVOUS NORVUS   The Fang   78  1956\" width=\"635\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/ltqKJ2ZC_VE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>One morning, I was born on the planet Mars<br \/>\nI gassed up my cradle and I shot through the stars<br \/>\nAnd I landed on Earth with a solid bang<br \/>\nI&#8217;m the Fang<br \/>\nI&#8217;m the Fang<br \/>\nI&#8217;m the Fang&#8230;<\/p>\n<p>My feet started flashin&#8217; like the noonday sun<br \/>\nAnd my blue suedes were hotter than a two-dollar gun<br \/>\nAnd the chicks all yelled, &#8216;Daddy-o, you&#8217;re the one!&#8217;<br \/>\n&#8216;You&#8217;re the Fang!&#8217;<br \/>\n&#8216;You must be the Fang!&#8217;<br \/>\n&#8216;You&#8217;re the Fang!&#8217;<\/p>\n<p><iframe loading=\"lazy\" title=\"Nervous Norvus (Jimmy Drake) - Ape Call (1956)\" width=\"635\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/ueMoGDqHchU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Very little history is known or written about Norvus. There&#8217;s rumor of a large reel of unreleased works floating around Seattle.. musical &#8216;historian of the uncanny&#8217; Phil Milstein&#8217;s probing article hits on every known fact and nerve:<a href=\"http:\/\/www.songpoemmusic.com\/drake\/\" target=\"_blank\" rel=\"noopener noreferrer\"> The Many Mysteries of Nervous Norvus<\/a>.<\/p>\n<hr>\n<h3 style=\"text-align: center;\">The Nervous Norvous Backstory<\/h3>\n<p><a href=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2006\/05\/red-blanchard-radio-personality-3e4f771e-95b0-4713-b3a5-ff7b4b23df4-resize-750.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-69133\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2006\/05\/red-blanchard-radio-personality-3e4f771e-95b0-4713-b3a5-ff7b4b23df4-resize-750-150x118.jpg\" alt=\"\" width=\"150\" height=\"118\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2006\/05\/red-blanchard-radio-personality-3e4f771e-95b0-4713-b3a5-ff7b4b23df4-resize-750-150x118.jpg 150w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2006\/05\/red-blanchard-radio-personality-3e4f771e-95b0-4713-b3a5-ff7b4b23df4-resize-750.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><strong>Richard Bogardus &#8220;Red&#8221; Blanchard, Jr.<\/strong> (June 11, 1920 \u2013 June 16, 2011) was a 1950s live wild-man radio personality, big-band trombonist and record producer\/collaborator with Nervous Norvus, a person so reclusive that they never met in person. Nervous was a word Blanchard made popular on his show, the Norvus part Drake came up with on his own. &#8220;He just thought of a word to be alliterative with Nervous,&#8221; says Blanchard. And so Nervous Norvus it was -double-meaning, alliterative, and vastly cool&#8230;&#8221; In 1956, Time Magazine did a feature on Drake and his songwriting method; &#8220;All I do is just take it easy.&#8221; said the poet, &#8220;I sit in my own backyard, and I got dark glasses on&#8230; I take it cool, and there&#8217;s nobody irritating me in my own backyard.&#8221;<\/p>\n<p>At his online website: <a href=\"http:\/\/www.redblanchard.com\/\">Red Blanchard<\/a>, amassed a thick archive of his radio shows, interviews, music and ephemera going back to the the late 40s. Be Zorch and check out Red.<\/p>\n<p>In the video below, created the year he passed away, Red discussed his collaborations with Drake at his Bay area radio station: KCBS. He also tells the story of how the reclusive Drake turned down the Ed Sullivan show, and how his liver fell off.<\/p>\n<p><iframe loading=\"lazy\" title=\"Nervous Norvus\" width=\"635\" height=\"357\" src=\"https:\/\/www.youtube.com\/embed\/vvispADGklI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&#8220;Backed by Paul Weston &amp; His Orchestra, Blanchard&#8217;s biggest hit was a 1955 Columbia release entitled &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=0F9PRYvFwkk\">Captain Hideous<\/a>,&#8221; with the title character a kind of clueless Flash Gordon. Its B-side was &#8220;Zorch!,&#8221; whose lyrics demonstrated one of the lynchpins of Blanchard&#8217;s radio show. Zorch was a mock-jive lingo created by his writers, inspired in part by <a href=\"https:\/\/www.youtube.com\/watch?v=ntUNRiC5-z0\">Slim Gaillard<\/a>, whose patois Blanchard had absorbed when their bands shared bills in the 1940s.&#8221; &#8211;Source: Phil Millstein<\/p>\n<p><a href=\"http:\/\/www.redblanchard.com\/mp3\/Zorch.mp3\">ZORCH<\/a> by Red Blanchard<\/p>\n<p>Um bully bully bully bully bully bully<br \/>\nZorch means its Edgar<br \/>\nEdgar means its dimph<br \/>\ndimph means its there<\/p>\n<p>Zorch man its nervous<br \/>\nnervous that&#8217;s the most<br \/>\nZorch oh its threatened<br \/>\nthreatened means its new<br \/>\nZorch ain&#8217;t it nervous<br \/>\nnervous its the most<\/p>\n<p>[Note: &#8220;Be Zorch, Daddy-O, GO APE!&#8221; was first published on Book Beat&#8217;s blog in 2006]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nervous Norvus was a genius songwriter of the mid-50s with a string of novelty hits that began with &ldquo;Transfusion&rdquo; in 1956. The song was created from a 2&Prime; demo tape San Franciscan trucker Jimmy Drake sent to his local wild-man DJ: Red Blanchard. Red added tire squeals and car crash sound effects -and created a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":69559,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[502,2,18,8,221],"tags":[517,519,518],"class_list":["post-43","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avant-garde","category-coollinks","category-monsters","category-music","category-punk-rock","tag-nervous-norvus","tag-novelty-records","tag-red-blanchard"],"_links":{"self":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":0,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media\/69559"}],"wp:attachment":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}