{"id":68405,"date":"2019-11-27T15:18:18","date_gmt":"2019-11-27T20:18:18","guid":{"rendered":"http:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt.jpg"},"modified":"2019-11-27T15:18:34","modified_gmt":"2019-11-27T20:18:34","slug":"klimt","status":"inherit","type":"attachment","link":"https:\/\/www.thebookbeat.com\/backroom\/2019\/11\/27\/book-beat-staff-recommendations-2019\/klimt\/#main","title":{"rendered":"klimt"},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"class_list":["post-68405","attachment","type-attachment","status-inherit","hentry"],"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"2213\" height=\"3000\" src=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt.jpg 2213w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-111x150.jpg 111w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-768x1041.jpg 768w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-1024x1388.jpg 1024w, https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-600x813.jpg 600w\" sizes=\"auto, (max-width: 2213px) 100vw, 2213px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>Complete Paintings of Gustav Klimt edited by Tobias G. Natter <br \/> <br \/>\n<a href=\"https:\/\/www.nytimes.com\/2012\/11\/13\/fashion\/13iht-fklimt13.html\">Review in The New York Times<\/a><\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":2213,"height":3000,"file":"2019\/11\/klimt.jpg","sizes":{"thumbnail":{"file":"klimt-111x150.jpg","width":111,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-111x150.jpg"},"medium_large":{"file":"klimt-768x1041.jpg","width":768,"height":1041,"mime_type":"image\/jpeg","source_url":"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-768x1041.jpg"},"large":{"file":"klimt-1024x1388.jpg","width":1024,"height":1388,"mime_type":"image\/jpeg","source_url":"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-1024x1388.jpg"},"wysija-newsletters-max":{"file":"klimt-600x813.jpg","width":600,"height":813,"mime_type":"image\/jpeg","source_url":"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt-600x813.jpg"},"full":{"file":"klimt.jpg","width":2213,"height":3000,"mime_type":"image\/jpeg","source_url":"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]}},"post":68334,"source_url":"https:\/\/www.thebookbeat.com\/backroom\/wp-content\/uploads\/2019\/11\/klimt.jpg","_links":{"self":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media\/68405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/comments?post=68405"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":68334,"href":"https:\/\/www.thebookbeat.com\/backroom\/wp-json\/wp\/v2\/posts\/68334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}