Rob St. Mary at Ferndale Library, Thurs., June 9

getimage.aspxJoin author Rob St. Mary at the Ferndale Public Library on Thursday, June 9 at 7:00pm to hear stories of punk rock excess and the inside story of Detroit’s infamous Orbit Magazine. The Orbit Magazine Anthology: Re-Entry outlines the creation of the magazines (White Noise, Fun and Orbit) as well as the lasting impact of these innovative Detroit publications. This event is free and open to the public and is presented as part of 2016’s Michigan Notable Books tour. Michigan Notable Books are 20 books selected each year celebrating Michigan people, places, and events. Books will be available for sale and signing at the event. To reserve a copy of the book, please call Book Beat (248) 968-1190.

For more info join the Facebook event page: https://www.facebook.com/events/794010147367207/

With a mischievous globe-headed mascot that appeared in every issue and even on Quentin Tarantino’s T-shirt iOrby+Back+Covern Pulp Fiction, Orbit Magazine was an instantly recognizable arbiter of 1990s Detroit culture. But its irreverent tone and unique editorial features could be traced to two earlier local publications from creator Jerry Peterson, a.k.a. Jerry Vile—White Noise (1978–1980) and Fun: The Magazine for Swinging Intelectuals [sic] (1986–1990). In The Orbit Magazine Anthology: Re-Entry, author Rob St. Mary details the full run of White Noise, Fun, and Orbit, collecting two decades’ worth of Detroit’s alternative publishing history into an over-sized, heavily illustrated volume that situates the publications in the city’s pop culture and media history.

St. Mary shows that while other alternative papers followed a tried-and-true focus on lefty politics and the arts, Vile’s publications found their niche in biting satire and sharp design that fed on popular culture. From the 70s punk scene in White Noise to audacious articles and irreverent “news” in Fun and a blend of reporting, satire, and culture in Orbit, St. Mary shows that Vile’s publications were distinctive in their content and uniquely Detroit in their tone. In sections devoted to each magazine, St. Mary details their recurring features (including dining, movie, and music reviews) and interviews former staffers. Numerous images and page spreads reveal the notable Detroit musicians—like Destroy All Monsters, the Gories, ICP, Jack White, Kid Rock, and Derrick May—and artists—including Niagara, Glenn Barr and Tristan Eaton—that graced their pages.

A foreword by Jerry Vile, an afterword by Ben Blackwell, and a cover designed by Glenn Barr round out this one-of-a-kind volume. Anyone interested in Detroit arts and culture or the history of alternative publishing will be grateful for The Orbit Magazine Anthology.

Rob St. Mary is a Metro Detroit native and award-winning reporter. He has worked in radio newsrooms across Michigan and currently lives in Aspen, Colorado, with his two cats.

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